“SOLUM LUX DREAM" C.C.R. 1987

“SOLUM LUX DREAM" C.C.R. 1987

Eduardo Sanguinetti "

"Recorded the sound-land art performance `Solum V: The Colour´, in "Centro Cultural Recoleta" Buenos Aires, inaugurating the halls of "Patio del Aljibe" 25 years after (1987) .

The photos,taken for an "Flash Art" Magazine by David Hamilton. On the images of the Land-Art Performances series: Solum V (The Colour) Buenos Aires, Argentine. 1987.

Images: Eduardo Sanguinetti, Japanese girl body painting, "Amarillo Total" (the name of the horse) and Sanguinetti Paintings, on the grass, in all the Halls of Recoleta Cultural Center. December 1987.

"When Eduard Sanguinetti presented his last "Solum" at the Centro Cultural Recoleta, he took to an extreme the relation between `the esthetic´ and `the artistic´ - almost to a paroxism -, and proposed again, as a new way, his limit of the `artistic´: "the performance" (the first performer in South America), only if we pay attention to the "spreading of the field" of the `esthetic´. The Performance as an implicit generative model that reports what could be called "transformed arts": Visual Arts, Theatre, Butoh-Dance, Instalation, Minimal Music, Poetry, Dance, etc...

"Amarillo Total" nor only stopped the ecologic blow but also paraded the models-girls, who`s had been completely painted by Eduardo Sanguinetti, their naked painted bodies put another body to painting." "Eduardo Sanguinetti: The Experience of Limits" Carlos Espartaco, 1989, Ediciones de Arte Gaglianone, ISBN: 9509004987 http://books.google.com.ar/books/abou...

http://www.eduardosanguinetti.tk/

"Solum Lux Dream"

Music (Minimal): Sanguinetti - Laub

Acustic Piano: Eduardo Sanguinetti

Sound Effects: Fernando Laub

Edited: Javier Kaneshi

Original Idea: Eduardo Sanguinetti

Produced: Lin Studio

Directed: Eduardo Sanguinetti

"Solum Lux dream" Copyright (2013): Eduardo Sanguinetti - All right reserved.

Land Art, Wikipedia, the free encyclopedia: Eduardo Sanguinetti, the latinoamerican philosopher and land-artist, presented in 1979 his "Sculptures in Earth". They were placed in natural spaces, they became functional as plants and animals made their homes in that particular ´topos´instalated en La Pampa desert. Later they acquired the noise of codes capable of classifing smells and colurs, and will complete the original idea of our artist, who was at that time absorbed by the countryside and its specular radiation...in his Land-Art Performance "Solum" (1987), in the zoomorphy of that horse that greatly seduce the audience of the Centro Cultural Recoleta (ex Centro Cultural Ciudad de Buenos Aires. "Amarillo Total" the name of the horse, not only stopped the ecologic blow but also paraded the models who had been completely painted by our artist, their naked painted bodies put another body to painting, with artesan colours prepared with earth and plants pigments.[5] In Sanguinetti's Essay "Alter Ego" (1986), he said: "Spontaneus Activity in Nature...In nature, there is a type of spontaneous activity. This concept does not exist in cultured man, and if it does remain in children, it is like a faint reminiscence of the primitive mind...Consequently I think that the survival of an awareness of the supernatural in nature, should, in all works of Land-Art, be the thing which ´animates Everything´"